Fate was very important to the Ancient Roman culture which The Aeneid exalts. This is hard for us in Western culture to understand, especially for my fellow Americans. The American Dream, after all, isn’t about following fate, but carving out your own destiny, making yourself a success, pulling yourself up by your own bootstraps, and all sorts of other lofty thoughts that have been relegated to cliché.
But in Ancient Rome, it wasn’t just what you did that brought
you glory. It was who you were descended
from, whether you were following your destiny as the fates and gods had willed,
and whether you submitted to that fate gracefully or like a fool struggled
against it.
Not that this idea of submitting to fate was unique to
the Romans, but it certainly wasn’t the universal belief in the ancient
world.
Look at The Odyssey for a good comparison. Here is a hero, Odysseus (called Ulysses in Rome) who used his wits and his strength to fight against annoyed gods who did NOT want him to get home. He struggled against Poseidon and Juno and all sorts of minor demigods and mythological creatures, but he prevailed.
Look at The Odyssey for a good comparison. Here is a hero, Odysseus (called Ulysses in Rome) who used his wits and his strength to fight against annoyed gods who did NOT want him to get home. He struggled against Poseidon and Juno and all sorts of minor demigods and mythological creatures, but he prevailed.
Then look at Aeneas. Sure, Juno has it in for him. But
he’s the son of Venus, who is on his side and gets her husband Vulcan to build
him weapons that cut through enemy swords.
Mars, god of war, is on his side. Jupiter, who Virgil constantly refers to as impartial, is partial to
him. Apollo helps him, and Diana assents
to Aeneas’ victory—even when that means her protégé Camilla must die for
fighting against him.
Aeneas doesn’t really have to struggle against anyone but
mortal enemies, and since Virgil constantly is drumming into the reader how
Aeneas is the best warrior ever, we know he will succeed.
Alright, so maybe Aeneas gets everything handed to him on
a silver platter. Maybe his struggle
isn’t physical, but emotional? After
all, a lot of the drama in other ancient heroic tales, such as Jason and the Argonauts, is about the
hero’s self-doubt. In this latter
example, Jason is a lot like Aragorn from The
Lord of the Rings (the movie, not so much the book), constantly depressed,
unsure of himself, feeling unworthy of the trust of his men. In fact, a better (though less well-known)
example might be Captain Horatio Hornblower, whose genius and heroism is
obvious to everyone but himself.
But no; Aeneas doesn’t deal with that sort of uncertainty
either. His struggle isn’t with his
concept with himself at all. Look at how
later on in the story he tells his son Ascanius/Iulus, “Hey son, if you want to
see a role model today, just watch me as I am awesome. Then whenever you have any doubts or
questions in your future life, you just ask yourself What Would Aeneas Do? Because I am awesome.”
So if Aeneas doesn’t struggle against gods, or monsters,
or himself, or other men (much), then what makes him a hero? Frankly, not much. The one thing he does struggle with is his
Destiny. After all, being told by your
mom as she’s disguised as an African Maiden that you’re going to lay the
foundations for a worldwide empire is a heavy burden to bear. Especially when to fulfill your destiny you
give up your hot Carthaginian girlfriend, wander the known world until you find
the appointed place to build a brand new city, and then enter into a regional
war that will cost you many a friend’s life.
Over and over Aeneas is forced to choose between easy, complacent success (living with Dido, building a New Troy in Sicily, etc.) or struggling to fulfill the fate that will lay the groundwork for (according to Virgil) the grandest civilization that will last forever:* Rome.
Over and over Aeneas is forced to choose between easy, complacent success (living with Dido, building a New Troy in Sicily, etc.) or struggling to fulfill the fate that will lay the groundwork for (according to Virgil) the grandest civilization that will last forever:* Rome.
When I think of it that way, Aeneas was not too bad as a
hero after all. Of course Virgil was
writing just before the birth of Christ, so any relation to Biblical theology
is very tenuous. But from a Christian
perspective, the idea of struggling and striving for an eternal kingdom rather
than settling for temporary happiness takes a certain kind of hero that we
don’t usually read about in epic poetry, much less see in real life as often as
we might wish.
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