It’s the end of an era: the saurians who had been the dominant predator on Earth are dying out due to a mysterious sickness and through the machinations of all the other beasts, who have made a pact to exterminate this common threat by destroying any saurian eggs they find. About twenty years before Darkwing begins, however, a small group of chiropters who reject the pact and go to live on a secluded island as conscientious objectors.
As our story begins, the young chiropter Dusk is about to make his first leap into the air. He’s a weak newborn, strangely built, and instinctively he wants to flap his sails like wings. As he grows up with his father Icaron, the leader of the island colony, his impulsive sister Sylph, and the rest of his family, Dusk is subjected to a great deal of pressure to conform or risk being shunned by his community. But Dusk is not like the others. Whereas in the story, the chiropters are a sort of pre-bat species (I immediately imagined them looking like sugar-gliders, though later in the book there are illustrations which contradict my mental image), Dusk is a true bat, with the ability to “see” in the dark and, much to the fear and confusion of the rest of his people, to fly.
But Dusk’s “different-ness” comes in handy as the chiropters are faced with a new threat. For a long time they’ve lived on the island, secluded from the war between saurians (dinosaurs) and beasts (mammals). The first shakeup of their world is when the last flying saurian falls out of the sky. Dusk is the one to discover the dying creature, and symbolically feels like the creature has bestowed some inheritance on him. I give you my wings the pterosaur tells him in a dream.
But just because the saurian threat would seem to be at an end does not mean the chiropters are free from danger. New predators are quickly filling the void in the food chain, most terrifying of which is Carnassial, a felid (pre-cat) whose taste for simple grubs and eggs has developed into bloodthirstiness for the hunt and for mammal flesh.
There are dangers from within the community as well, though they are far more subtle. Most of the conflict is caused by Nova, a fellow chiropter elder who is constantly criticizing Icaron and questioning the decisions of the colony. It is in these scenes that the author poses a lot of questions about morality: Is it just to destroy something that could become a threat, or should there be unconditional respect for all life? What about protecting your loved ones by any means, even if those means are against all your principles?
Don't let the cover fool you; this ain't no Stellaluna! Source: http://www.renaud-bray.com/ImagesEditeurs/PG/1163/1163099-gf.jpg |
The world of Darkwing is brutal and scary and
fascinating, just like the natural world. Most of the species are based on fossil evidence, although in the author’s
note afterward it is admitted that the chiropters are a species of the author’s
imagination. The story is largely built
on the theory of evolution, which is an assumption I do not share. However this did not detract from my
enjoyment of the story itself, since my suspension of belief had already been
earned by talking prehistoric animals and a sort of fantasy world where bats are
gifted the power of flight by a dying pterosaur.
Although I’d read Kenneth Oppel’s other “bat” books, the Silverwing trilogy, it took me quite
awhile to get around to this prequel. Oppel is a fantastic writer and his plots are well-paced and
adventurous. It’s easy to read several
chapters at once, as the conflict is relentless and makes you want to keep turning
the pages. That said, I would only
suggest this book to a more mature reader who has read the others first and
therefore knows what to expect of Oppel’s writing, as the subject matter can be
quite intense, possibly even scary at times.
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