One of the most pivotal and mysterious parts of Chretien de Troyes’ Erec and Enide is the vow of silence. The vow of silence is the source not only of physical conflict—Enide’s breaking her vow introduces Erec’s fight scenes—but also moral and emotional conflict between the husband and wife. As a plot device the vow illustrates the relationship between Erec and Enide in not only peaceful, but also dangerous circumstances. In this way the story Erec and Enide shows the conflict between true, self-sacrificing love and the expectations of fulfilling chivalric codes of honor.
There isn’t necessarily a premeditated reason for the vow
of silence. However, investigating its
possible functions is important in order to understand the plot as a
whole. Although typical romance cycles
are by nature cyclonical and disconnected, this Chretien de Troyes romance is
atypical in that other parts of the story are interconnected with the vow of
silence. Enide’s first words are what
cause Erec’s anger, and her enforced vow of silence is a consequence of this
action.
Dialogue is significant to the story not only in the vow of silence, but in the events before that. Enide is noticeably silent during her meeting and courtship with Erec; indeed Erec doesn’t even discover his wife’s name until after they are married. When Enide at last warrants her own dialogue, it is a questioning of Erec’s ability to maintain his chivalrous reputation as a married man.
Initially the silence that Enide exercises isn’t passive,
but constructive. It is not an example
of a misogynistic portrayal, but rather a testament of her words’ potency
throughout the story. Enide’s beauty
also has positive repercussions. As
described to Erec by her father, Enide is beautiful, not only superficially,
but her external beauty is an accurate indicator of her true nature. Although her silent beauty may be interpreted
as an instance of medieval objectification of women, it is soon explained that
Enide’s mere presence reveals to others who they really are; not only her
words, but her appearance transforms Erec from a two-dimensional knight to a
loving husband.
To see the difference Enide causes in Erec, comparing his
behavior before and after meeting her is very decisive. Before meeting Enide, Erec is a stereotypical
knight who, like countless other heroes, is “very fair, brave, and courteous.” The
story’s outset revolves around Erec and his quest to act according to chivalric
codes. In a society where a man’s
reputation and honor are of the utmost importance, this quest is as crucial to
Erec as if the goal were to rescue a damsel in distress or find the Holy Grail.
When he is disgraced, Erec’s quest for a spotless reputation becomes all the
more vital, and he declares: “I shall yet avenge my disgrace, or increase it.” However, as soon as he meets and falls in
love with Enide, Erec’s desire to pursue glory through battle wanes:
But Erec loved her with
such a tender love that he cared no more for arms, not did he go to
tournaments, not have any desire to joust; but he spent his time in cherishing
his wife.….his friends grieved over this, and often regretted among themselves
that he was so deep in love….All the knights said it was a great pity and
misfortune that such a valiant man as he was wont to be should no longer wish
to bear arms.
Enide is unhappy that her marriage has caused Erec’s
reputation to suffered, yet Erec doesn’t know why Enide despairs. Misinterpreting her sadness as a superficial
lament for his loss of esteem among his fellow knights, he immediately sets out
on a quest to restore what Enide suggested he lost. He brings Enide along as his squire, having
her ride ahead of him with the charge not to speak unless she was spoken to
first.
Erec’s motivation for imposing this vow on Enide isn’t
clear, but despite his apparent severity with his wife every time she
speaks—even if it saved his life—it’s explicit that he “has no desire to do her
harm, for he realizes and knows full well that she loves him above all else,
and he loves her, too, to the utmost.” Erec doesn’t just lose his temper with Enide, but makes her take the vow
as some sort of test. What this test is
supposed to prove, and how Enide is supposed to pass it, is also
ambiguous. Yet if Enide’s words are the
cause of this test, then it’s not unjustified to infer that Enide’s alleged
preoccupation with “what everyone else thinks” is what makes Erec so angry.
The expectation of maintaining one’s chivalric reputation
is one significant theme of conflict in Erec
and Enide. Erec’s marriage causes
him to give up fighting in tournaments, and his reputation suffers because of
it. Enide, not obsessed with the customs
and conventions of their society, instead blames herself as the cause of her
husband’s suddenly pacifistic pattern of behavior. Later when Erec is believed dead, Enide takes
accountability for her actions, saying: “I am the murderer of my lord, in
having killed him by my speech. My lord
would still be now alive, if I in my mad presumption had not spoken the word
with engaged him in this adventure.”
If Enide’s first dialogue is the cause of the plot’s
conflict, it is her speech which saves Erec’s life. When she breaks her vow, it is to save Erec
from assassins, even if he kills her for dishonorably breaking her silence:
“What care I? May grief and sorrow
always be mine as long as I lie, if my lord does not promptly escape from here
without being delivered to a violent death.” She makes the conscious decision to break her vow of silence to save her
husband’s life, even at the cost of her own.
Chretien de Troyes utilizes Enide’s vow of silence to
satirize some principles of chivalry, which include keeping one’s word at all
costs. Troyes puts Enide in a paradoxical
situation, showing that the possibility of rules of self-sacrifice and loyalty
come to an impasse with the rules of keeping promises. In this way, Troyes not only refers to
romantic-cycle conventions by including the vow of silence in his story, but
also reveals the weaknesses of those conventions by placing them in
life-and-death situations.
By breaking her silence, Enide shows that her love for
her husband is greater than a lifetime of instilled devotion to chivalric codes
of honor, reputation, and behavior. In
the end, Enide’s failing the test of silence causes her to pass the ultimate
test of her loyalty to Erec. In this
way, de Troyes demonstrates that there is honor in dishonor. Erec
and Enide illustrates that by staying true to the initial reasons for
chivalry—that is, a love and respect for others—it is possible to break the
rules of conduct in order to realize their true goal.
I found your analysis extremely refreshing and completely agree with you. I would even go further in that Erec knows his value as a knight and his friends' comments would not have bothered him. What bothered him is that he thinks the person he loves most and whose opinion he values most thinks of him as a lesser man. We know he is misinterpreting Enid's reaction, but it does not matter, because what makes this story truly unique is what follows. The reason Erec wants only Enid at his side is that the quest is not about chivalric achievement, it is about the two of them, their complete mutual trust and harmony. What is revolutionary here is the fact that Chrestien de Troyes lived at the court of the Duchess Marie of Burgundy, daughter of the famous Eleanor of Aquitaine, herself the leader of the Courteous Love trend ("Amour Courtois"), which asserted that love was to be found only outside of marriage and, under guise of elegance and chivalrous deeds, promoted adultery. Chrestien declares boldly the opposite and presents a couple that is at its best when husband and wife are so in tune with one another that they operate as one. He goes even further and well before Erasmus's Education of a Christian Prince, demonstrates that this is the kind of rulers that are the best for their people. I love this story; it has so much to teach our own 21st century about true love and marriage (If you are interested, I wrote an article on the topic: Erec and Enid, or Marriage Revisited http://www.academia.edu/31895558/Erec_and_Enid_or_Marriage_Revisited )
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