Sadly, it happens more often than I would like to admit. You’re reading a great book—wonderful in fact—with an intriguing premise, a good cast of characters, and a nice grasp of Style. The only problem? The end.
Now, the end of the book, if the book is good, is always
the worst part. Because the goodness and
enjoyment of the book ends when the story does. But the real tragedy is when a book’s end comes far, far too soon.
The First Two Lives of Lukas-Kasha is either the
first or second Lloyd Alexander book I ever read. (It’s a tossup between this
and The Arcadians, but since I read—er, devoured—both of them within a
48-hour period, but I can’t remember which one I technically opened
first.) It holds a special place in my
heart with all Lloyd Alexander books, because not only are they wonderful
books, but because I discovered them by chance during a rather difficult, lonely
time in my adolescence. Lukas-Kasha, the
Arcadians, Prydain, Vesper Holly…all were a source of comfort and cheer that I needed
badly.
If you have read C.S. Lewis’ The Horse
and His Boy, then you may also enjoy The First Two Lives of Lukas-Kasha. In my imagination they take place in
very similar settings: both are rags-to-riches stories of a boy living in an
ambiguously historical setting, pulled by extraordinary circumstances into an
adventure involving horses, dangerous girls, and pseudo-Arabian Nights kingdoms.
Lukas is the town’s ne’er-do-well street urchin in a
vaguely medieval town. His only friend
is Nicholas the blacksmith, a sort of enabler who gives Lukas money without
making him do anything to earn it. Lukas
very wisely decides to invest said money in a traveling sideshow when the
magician Battisto the Magnificent promises a “marvel to change his life.” Battisto dunks Lukas in a tub of water. Lukas comes up for air…in the middle of a
sea. He makes it to a strange shore
where he finds himself in the Arabesque kingdom of Abadan.
He’s still damp with saltwater when he’s crowned King
Kasha of said Abadan as part of a prophecy about the next ruler rising out of the
ocean. All is going swimmingly,* with
Lukas-Kasha eating, loafing, and wearing gaudy clothes to his heart’s content,
until he starts acting a little bit too much like a responsible monarch for the
likes of his evil vizier Shugdad. When
Lukas-Kasha flatout refuses to declare war against the neighboring Bishangaris,
Shugdad orders his assassination.
Lloyd Alexander’s picaresque stories usually involve many
of the same character types. Lukas is
the ordinary boy who comes of age through being swept up in an adventure
against his will. Shugdad is the evil
criminal mastermind, with an assortment of goons that are characterized by
hostility, cunning, or ignorance. Among
Lukas’s friends are the pompous but goodhearted scholar (Locman the court
astrologer), the rogue (thief and poet Kayim), the dignified warrior-girl
Nur-Jehan, and the rambunctious kid (Haki).
But Lukas-Kasha holds one major difference: its
ending. I won’t say exactly what
happens, but when it does happen, it’s abrupt. As I reread it recently, I really wished that this was the first of a
series and not a standalone novel. And I
wasn’t quite sure why Alexander hadn’t done it; he certainly wrote plenty of other
series. Maybe there was a deadline for
publication he was trying to reach. It’s possible he didn’t enjoy writing it or
was too excited about another story to leave it open-ended for a sequel.
Whatever the reason, as it is, the ending makes this book
more existential than the majority of Alexander’s other books of a similar genre. It’s possible this was Alexander’s intention
all along: though this is an adventure novel, many of the themes have a
serious, if not darker side. Is the
purpose of leadership to give power to the leader, or for the leader to serve
the people he/she leads? What use are
riches if it’s as common as dirt? How do
you defeat evil while staying good?
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