I originally put this on hold at my library on a whim, not even really looking past
the title of the book and thinking it must be one of those how-to books about
embroidery that I sometimes enjoy perusing. The kind of books with a lot of pictures
that are easy to read through in an afternoon.
When
I picked up the book at my library I almost didn’t start reading it. Firstly,
it was much thicker than I’d anticipated. When one expects a pinky’s-width
thick book and it’s more like a thumb-and-index-finger’s-width (actual
measurements may vary), it may cause one to reconsider whether the book is
perhaps about something completely different than originally thought.
Upon
further inspection, it turned out the book was
about embroidery. But it was not a
tutorial book. It was an exploration of various cultures’ use of threads and
textiles.
This
was daunting. I have read my fair share of nonfiction books that were rather
bloated versions of academic essays and theorems. Though I do enjoy embroidering
and quilting, I wasn’t sure I was that much of a sewing geek to enjoy a serious
book like this one.
Yet
I started it. And I read it. And I finished it.
And
I am glad I did.
The
author Deb Brandon is a “geek” about
things like tapestries, but every chapter plunges the reader not into
over-technical jargon, but into a story, a place, and an experience. She
adeptly explains the significance of certain colors, materials, and images that
are incorporated into the art and clothing of various ethnic groups. She also
shows how something as simple (which is not always so simple, really) as making
clothes or fabric is an integral part of history, and how people have expressed
their creativity and individuality through skills that have been passed down
through generations.
This
book was, to my pleasant surprise, a thoughtful and poetic exploration of a
part of life that is easy to take for granted. That’s one of my favorite kinds
of things to read: the kind that shows me something beautiful that instills a new
appreciation for the world.
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