In the room the women come and go
Talking of Malviolio...*
Okay, so I know it's "Michelangelo" in The Love Song of J. Alfred Prufrock, but I adapted it to introduce this post about possibly-incongruous adaptations. Sorry, T.S. Eliot.
The other day I overheard a conversation two ladies were having about Shakespeare. One of the ladies had upcoming plans to see a live performance, but she was already complaining about it.
“When I went to see Much Ado About Nothing they dressed in all modern clothes. I hate that!”
What surprised me about her tone was that it implied she thought it was some new thing, for Shakespearean plays to have a “modernized” setting. She continued,
“It’s just weird, they’re going around in regular clothes, but speaking the same words.”
True, I've encountered similar adaptations and found them confusing. But is it really a travesty to perform Shakespeare—or really, any “ancient” play—as if it were a contemporary setting? Does every adaptation need to be "Shakespeare: Men in Tights"?